In ‘Garden Path in Louveciennes’ the oblique angle of the wooden fence matches the ‘compositional bridge motif’ in ‘The Footbridge’.
Both lead the viewer to the female figure.

The juxtaposition of the two roof windows above the female figure match the ‘archway’ motif in ‘The Footbridge’ (see page ‘Archway’ motif).
Completing the compositional stage effect.